Delicate lyric poems inspired by stories of St Columba and the island of Iona. Redolent of an age of wonder in which the natural world and the elements were perceived to be in harmony with the divine.
A new, smaller-format edition of Ewan Mathers' beautiful photographs depicting in detail the carvings of the restored cloisters of Iona Abbey, with text reflecting on the meaning of each design and information about the flora and fauna of the Isle of Iona and beyond, which most of the carvings represent. This use of symbols from the natural world reflects the close links of the early Celtic Christians with the land around them.
A book about the original Pearls of Life bracelet. There is a now a new version of the Pearls (available from Verbum Sweden at: https://www.verbum.se/fralsarkransen/fralsarkransen-av-glas-p52634417) where one of the beads is a different colour, but most of this book is still relevant.
Full-colour photographs - with accompanying short reflections, prayers, poems and stories - of the Abbey, Iona's white sand beaches, the pilgrimage around the island, seabirds, highland cattle, tracks and roads, boats and nets, kitchen pots, footprints in the sand, cotton grass bending in the breeze - and more.
A new edition of this collection of poems and prayers by the founder of the Iona Community, with images of the island. 'To be in a seat at Iona Abbey, to be moved by the awesome oratory of a MacLeod sermon in full flood, to be led into the nearer presence of God by means of kaleidoscopic, imaginative prayer, was to be privileged and - more importantly - to be changed.' Ron Ferguson, former Leader of the Iona Community
Meditations & Reflections
After the crucifixion, Joseph embarks on a quest to find out who Jesus really was, seeking out those who knew him personally. These witnesses, all mentioned in the gospels, tell their stories, each contributing a unique insight into the Nazarene. James Harpur uses both prose and poetry to create a parallel narrative to the gospels, amplifying the events they describe.